Tom Nicknish

Live entertainment production is rebuilt from scratch every time: Creative teams wire up custom interactive systems for each show, then throw them away at the end of the tour. No reusable platform exists for experiences where the audience participates — every activation is a one-off. Production tools end at "deploy" — nothing manages what happens when the audience is in the room. The result: six-figure production budgets, zero institutional knowledge carried from one show to the next. vivedlearning+1

PlayBox is a creative workspace for live, responsive experiences. Creators open a PlayBox inside a World — a persistent simulation environment tied to a venue or running purely digital. They design scenes, load palettes (AI, creative, and production components), wire up audience interaction, and publish. The experience runs live. The audience participates. The work is reusable for the next show, the next venue, the next tour. prweb+1

My roles include Business Development, Strategy, Fundraising, Human Resources, and Operations. brandyourself+1

Ex-Microsoft, Stryker, AT&T Interactive, VIVED Learning